Heinrich Schütz (1585-1672) - "Alleluia! Lobet den Herrn" SWV 38 (Psalm 150; Psalmen Davids, 1619) Orchestra of the 17th Century, Washington D.C. (Period ins...
Showing posts with label Orchestra. Show all posts
Showing posts with label Orchestra. Show all posts
Friday, May 24, 2013
Orchestra of the 17th Century: Schütz - Psalm 150
Orchestra of the 17th Century: Schütz - Psalm 150 Video Clips. Duration : 9.02 Mins.
Heinrich Schütz (1585-1672) - "Alleluia! Lobet den Herrn" SWV 38 (Psalm 150; Psalmen Davids, 1619) Orchestra of the 17th Century, Washington D.C. (Period ins...
Heinrich Schütz (1585-1672) - "Alleluia! Lobet den Herrn" SWV 38 (Psalm 150; Psalmen Davids, 1619) Orchestra of the 17th Century, Washington D.C. (Period ins...
Wednesday, May 8, 2013
Orchestra of the 17th Century: Buxtehude - Ad cor
Orchestra of the 17th Century: Buxtehude - Ad cor Video Clips. Duration : 7.00 Mins.
Dieterich Buxtehude (c.1637-1707) - Membra Jesu Nostri: "Ad cor" Orchestra of the 17th Century, Washington D.C. and soloists Michael Holmes, music director L...
Dieterich Buxtehude (c.1637-1707) - Membra Jesu Nostri: "Ad cor" Orchestra of the 17th Century, Washington D.C. and soloists Michael Holmes, music director L...
Monday, January 7, 2013
Orchestra of the 17th Century: Dido and Aeneas - Sailor's Dance
Orchestra of the 17th Century: Dido and Aeneas - Sailor's Dance Video Clips. Duration : 0.85 Mins.
Orchestra of the 17th Century, Washington DC Michael Holmes, Music Director Live performance of Henry Purcell's Dido and Aeneas: Sailor's Dance The Orchestra of the 17th Century ("O17"), directed by its founder Michael Holmes, is dedicated to the exploration and promotion of music from the century that saw the birth of the modern notion of the "orchestra." Since there was no standardized orchestra for most of the 17th century, each performance by O17 is a unique experience in instrumental color. Its audiences hear groups that feature a variety of wind instruments such as cornetts, sackbuts, curtals, shawms, and recorders, as well as performances that feature the more familiar large string group with continuo. O17 is now in its eighth season of its existence and still striving to produce more unique and fascinating programs otherwise difficult to produce due to the specialized use of period instruments. One of the subsets of O17 is the Washington Cornett and Sackbutt Ensemble, North America's premiere ensemble of its kind. Another subset is the Ensemble Stylus Luxurians. O17 released its first CD recording of Roman and Venetian music in the Fall of 2004, in collaboration with the Choir of the National Shrine of the Immaculate Conception in Washington DC Contact: musicdirector@uucss.org
Orchestra of the 17th Century, Washington DC Michael Holmes, Music Director Live performance of Henry Purcell's Dido and Aeneas: Sailor's Dance The Orchestra of the 17th Century ("O17"), directed by its founder Michael Holmes, is dedicated to the exploration and promotion of music from the century that saw the birth of the modern notion of the "orchestra." Since there was no standardized orchestra for most of the 17th century, each performance by O17 is a unique experience in instrumental color. Its audiences hear groups that feature a variety of wind instruments such as cornetts, sackbuts, curtals, shawms, and recorders, as well as performances that feature the more familiar large string group with continuo. O17 is now in its eighth season of its existence and still striving to produce more unique and fascinating programs otherwise difficult to produce due to the specialized use of period instruments. One of the subsets of O17 is the Washington Cornett and Sackbutt Ensemble, North America's premiere ensemble of its kind. Another subset is the Ensemble Stylus Luxurians. O17 released its first CD recording of Roman and Venetian music in the Fall of 2004, in collaboration with the Choir of the National Shrine of the Immaculate Conception in Washington DC Contact: musicdirector@uucss.org
Sunday, December 30, 2012
Orchestra of the 17th Century: Charpentier - Te Deum (Pt. I)
Orchestra of the 17th Century: Charpentier - Te Deum (Pt. I) Tube. Duration : 2.45 Mins.
Marc Antoine Charpentier (1643-1704) -excerpt from live performance of "Te Deum" Orchestra of the 17th Century, Washington DC (period instrument ensemble) Michael Holmes, music Director with the voices of Carmina, Vera Kochanowsky, dir. About the performers: The Orchestra of the 17th Century ("O17"), directed by its founder Michael Holmes, is dedicated to the exploration and promotion of music from the century that saw the birth of the modern notion of the "orchestra." Since there was no standardized orchestra for most of the 17th century, each performance by O17 is a unique experience in instrumental color. Its audiences hear groups that feature a variety of wind instruments such as cornetts, sackbuts, curtals, shawms, and recorders, as well as performances that feature the more familiar large string group with continuo. O17 is now in its eighth season of its existence and still striving to produce more unique and fascinating programs otherwise difficult to produce due to the specialized use of period instruments. One of the subsets of O17 is the Washington Cornett and Sackbutt Ensemble, North America's premiere ensemble of its kind. Another subset is the Ensemble Stylus Luxurians. O17 released its first CD recording of Roman and Venetian music in the Fall of 2004, in collaboration with the Choir of the National Shrine of the Immaculate Conception in Washington DC Contact: musicdirector@uucss.org
Marc Antoine Charpentier (1643-1704) -excerpt from live performance of "Te Deum" Orchestra of the 17th Century, Washington DC (period instrument ensemble) Michael Holmes, music Director with the voices of Carmina, Vera Kochanowsky, dir. About the performers: The Orchestra of the 17th Century ("O17"), directed by its founder Michael Holmes, is dedicated to the exploration and promotion of music from the century that saw the birth of the modern notion of the "orchestra." Since there was no standardized orchestra for most of the 17th century, each performance by O17 is a unique experience in instrumental color. Its audiences hear groups that feature a variety of wind instruments such as cornetts, sackbuts, curtals, shawms, and recorders, as well as performances that feature the more familiar large string group with continuo. O17 is now in its eighth season of its existence and still striving to produce more unique and fascinating programs otherwise difficult to produce due to the specialized use of period instruments. One of the subsets of O17 is the Washington Cornett and Sackbutt Ensemble, North America's premiere ensemble of its kind. Another subset is the Ensemble Stylus Luxurians. O17 released its first CD recording of Roman and Venetian music in the Fall of 2004, in collaboration with the Choir of the National Shrine of the Immaculate Conception in Washington DC Contact: musicdirector@uucss.org
Wednesday, October 10, 2012
Mp3 Stereocrash - Crypto City Orchestra
Mp3 Stereocrash - Crypto City Orchestra Tube. Duration : 0.22 Mins.
xxsurl.com Mp3 Stereocrash - Crypto City Orchestra Lose yourself in an endless sea of analog guitar scapes. They will leave your mind light years from where it gets on. 7 MP3 Songs ELECTRONIC: Ambient, ROCK: Noise Details: Despite what your ears may tell you this record contains no keyboards, computer synths or loops of any kind. Guitars from the 1950's, tape delays from the 1970's and aging analog recorders are the tool chest for the creation of Crypto City Orchestra. As Stereocrash frontman and guitarist Charles Perkins explains: "I have long been a fan of ambient electronica and wanted to try my hand at some instrumental works. Some film producer friends of mine really enjoyed 'Open' and 'Seascraper' from my first record and encouraged me to develop a work based on those themes. I don't own any sequencing gear or synths so I started experimenting with ways to extend and layer guitar and noise tracks together. For low end sounds beyond the range of the signals a slowing of the tape was used instead of digital pitch shift. After a year or two of experimenting I was left with a huge pile of music and noise. Some months of carefully combing through it all yielded what I think is a pretty unique work. Crypto City Orchestra represents what I love in ambient music yet discarding some of the glassy sheen that I feel can distance such music from the listener." Crypto City Orchestra is a soothing yet emotional journey for the mind. Powerful and graceful if you enjoy ambient ...
xxsurl.com Mp3 Stereocrash - Crypto City Orchestra Lose yourself in an endless sea of analog guitar scapes. They will leave your mind light years from where it gets on. 7 MP3 Songs ELECTRONIC: Ambient, ROCK: Noise Details: Despite what your ears may tell you this record contains no keyboards, computer synths or loops of any kind. Guitars from the 1950's, tape delays from the 1970's and aging analog recorders are the tool chest for the creation of Crypto City Orchestra. As Stereocrash frontman and guitarist Charles Perkins explains: "I have long been a fan of ambient electronica and wanted to try my hand at some instrumental works. Some film producer friends of mine really enjoyed 'Open' and 'Seascraper' from my first record and encouraged me to develop a work based on those themes. I don't own any sequencing gear or synths so I started experimenting with ways to extend and layer guitar and noise tracks together. For low end sounds beyond the range of the signals a slowing of the tape was used instead of digital pitch shift. After a year or two of experimenting I was left with a huge pile of music and noise. Some months of carefully combing through it all yielded what I think is a pretty unique work. Crypto City Orchestra represents what I love in ambient music yet discarding some of the glassy sheen that I feel can distance such music from the listener." Crypto City Orchestra is a soothing yet emotional journey for the mind. Powerful and graceful if you enjoy ambient ...
Thursday, October 4, 2012
Handel / Geraint Jones Singers & Orchestra, 1960: Zadok The Priest, Coronation Anthem No. 1
Handel / Geraint Jones Singers & Orchestra, 1960: Zadok The Priest, Coronation Anthem No. 1 Tube. Duration : 5.92 Mins.
From the LP shown above, a sampler produced by Archiv and distributed in 1964. This track was originally featured on the Archiv LP catalogue number 190 008, Utrecht Te Deum and Jubilate, issued in 1959. ( I have a copy of that latter LP for sale at my record store, here: classicvinyl.biz ) Other tracks from this LP: Bach / Karl Richter, Munich Bach Choir, 1960: Mass in B minor - Osana in Excelsis! - www.youtube.com Vivaldi / Hans Martin Linde, 1960: Concerto For Recorder and Strings, PV 79 - www.youtube.com Telemann / Nuremberg Chamber Music Ensemble, 1960: Suite No. 6 in D minor - www.youtube.com Rameau / Andrée Esposito, 1963: Les Indes Galantes - Third Concert - www.youtube.com Bach / Helmut Walcha, 1959: Fantasia in G major, BWV 572 - www.youtube.com Praetorius / Collegium Terpsichore, 1960: Three Dances From Terpsichore (Vinyl LP) - www.youtube.com Utrechter Te Deum und Jubilate ist ein geistliches Chorwerk von Georg Friedrich Händel, geschrieben für die Feier des Friedens von Utrecht, der 1713 das Ende des Spanischen Erbfolgekriegs ermöglichte. Textgrundlage sind das Te Deum und ein Jubilate (Psalm 100) in englischer Sprache. Die Kombination folgte früheren Vorbildern. Die offizielle Erstaufführung des Werkes erfolgte am 13. Juli 1713 in einem Gottesdienst in der St Paul's Cathedral in London. Utrecht Te Deum -- sakralna kompozycja Georga Friedricha Händla, jaką wykonał 7 lipca 1713 roku w katedrze św. Pawła w Londynie wraz z Utrecht Jubilate z okazji podpisania ...
From the LP shown above, a sampler produced by Archiv and distributed in 1964. This track was originally featured on the Archiv LP catalogue number 190 008, Utrecht Te Deum and Jubilate, issued in 1959. ( I have a copy of that latter LP for sale at my record store, here: classicvinyl.biz ) Other tracks from this LP: Bach / Karl Richter, Munich Bach Choir, 1960: Mass in B minor - Osana in Excelsis! - www.youtube.com Vivaldi / Hans Martin Linde, 1960: Concerto For Recorder and Strings, PV 79 - www.youtube.com Telemann / Nuremberg Chamber Music Ensemble, 1960: Suite No. 6 in D minor - www.youtube.com Rameau / Andrée Esposito, 1963: Les Indes Galantes - Third Concert - www.youtube.com Bach / Helmut Walcha, 1959: Fantasia in G major, BWV 572 - www.youtube.com Praetorius / Collegium Terpsichore, 1960: Three Dances From Terpsichore (Vinyl LP) - www.youtube.com Utrechter Te Deum und Jubilate ist ein geistliches Chorwerk von Georg Friedrich Händel, geschrieben für die Feier des Friedens von Utrecht, der 1713 das Ende des Spanischen Erbfolgekriegs ermöglichte. Textgrundlage sind das Te Deum und ein Jubilate (Psalm 100) in englischer Sprache. Die Kombination folgte früheren Vorbildern. Die offizielle Erstaufführung des Werkes erfolgte am 13. Juli 1713 in einem Gottesdienst in der St Paul's Cathedral in London. Utrecht Te Deum -- sakralna kompozycja Georga Friedricha Händla, jaką wykonał 7 lipca 1713 roku w katedrze św. Pawła w Londynie wraz z Utrecht Jubilate z okazji podpisania ...
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